Onesies in a Rush?

A soldier walks through the sewing room at Tazreen Fashions, Savar, Bangladesh, on November 25th 2012.  
Over 100 people die.
“On the way to the staircase that leads to the cutting floor I notice hundreds of boxes marked for Carrefour, a huge European multiple that after Walmart is the world’s second largest retailer, with an extraordinary 12,500 stores across the world.  The boxes are stacked up along the side of the assembly floor, masking the fire regulations and the yellow signs pointing to the exits.  But then, given that the staircases are almost completely blocked by more boxes, presumably waiting to be picked up to start their long journey to the stores, the exits might not be all that much use.
“‘These boxes,’ I say pointing out the bleeding obvious, ‘they’re blocking the stairs. The fire escape! The fire risk!’  My voice is becoming increasingly shrill.. The factory manager is unmoved by my persistent heckling, and continues to clatter down the staircase.  

A woman looks for family members after a textile factory fire in Karachi, Pakistan, 
on September 12th 2012. Over 300 die. 
“We end up for tea and biscuits in the factory manager’s office, where again we are told we can ask about anything we like – cue more arm-waving. And so I bang on about the boxes and the fire escape again.
“‘Big order,’ he says.  ‘Huge order!’  Yes, I say, but the 500,000-piece order for men’s, women’s and children’s jeans is currently blocking the fire escapes.  ‘This is not,’ he admits, ‘a perfect factory.  This is a B-rated factory.’  Who has rated it ‘B’, I ask.  ‘It is rated B,’ he says and we continue in this vein for thirty minutes.  ‘The ‘B’ rating, I’m finally led to believe, is a Bangladesh trade standard, meaning that the factory is not perfect.  Then suddenly the manager turns, his tone becoming increasingly impassioned and accusatory.  ‘How can I get a good factory when you [in the West] pay so little?'”

 A textiles worker returns to the sewing room at Tazreen Fashions, Bangladesh.  Further information and details here.

If there’s one book you read over the holiday, read Lucy Siegle’s prophetic To Die For: Is Fashion Wearing Out the World?
Brains will rewire.
Identifying textile workers in Karachi, Pakistan, 
on September 12th 2012. Over 300 die. 

Overcrowded sewing rooms, Tazreen Fashions, Savar, Bangladesh.
Full details of the Savar night shift tragedy here.
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Relatives prepare to bury loved ones from the Tazreen Fashions Factory tragedy on November 27th 2012.  Further information on the fashion labels found in the embers here. 

There is now a UK-based Fashion Mob that you can join here to raise your concerns with the effects of very fast fashion demands, collectively and strategically.



MODERNISM IN 4th CENTURY TEXTILES

Linen and wool tapestry, detail, third to fourth century AD, Egypt.
Linen and wool tapestry, detail, fourth to fifth century AD, Egypt.
Linen and wool tapestry, detail, fifth to sixth century AD, Egypt.

 

Lunar Deity, wool embroidery on linen, detail, third to fourth century AD, Egypt.
For more information on these extrordinarily modern-looking Egyptian wool and linen weaves and embroideries go here. 

Learn Alexander McQueen Embellishment Techniques with The Slow Textiles Group on Dec 1st at 2pm!

Eline Le Callennec embellishment for Alexander McQueen, Spring/Summer 2010.

Learn couture embellishment techniques with Alexander McQueen and Mary Katrantzou’s embroiderer Eline Le Callennec at TSTG’s new, amazing venue, London Printworks Trust, on Dec 1st from 2pm til 6pm with a lecture on Sustainability and Unsustainability in the Fashion System!   
Join in online or in person, book here!

Eline Le Callennec embellishment for Alexander McQueen, Spring/Summer 2012.

Eline Le Callennec embellishment for Mary Katrantzou, Spring/Summer 2012.

It’s time to add the slow touch to your fast prints!

MEET US AT LONDON PRINTWORKS TRUST

We’re delighted to announce that TSTG joins the iconic London Printworks Trust for the
Slow Design School Stitch & Book Club this weekend!
Our Slow Design School students follow in the footsteps of Great British designers such as Pat Albeck, Holly Fulton, Jonathan Saunders, Eley Kishimoto and Zandra Rhodes who have all worked with London Printworks Trust to develop their stunning textile collections!
Each of those designer’s work is so diverse, and many others’ who have worked with LPT,  yet all display a mix of lyricism, wit and energy that is quintessentially British. That’s what makes them so timeless, iconic and desirable!
The London Printworks Trust is synonymous with nurturing and promoting these qualities so it is with great excitement and honour that TSTG has their first Practice+Theory event there this Saturday!
There’s no advert for this event as it’s exclusive to the Slow Design School Programme however, we’ll be putting some pics on Twitter for you to enjoy!
Holly Fulton, Counter Feat, London Printworks Trust, 2011.
Jonathan Saunders, Counter Feat,  2011.
             Eley Kishimoto, Counter Feat, London Printworks Trust, 2011.
Zandra Rhodes, Counter Feat, London Printworks Trust, 2011.